Eyes and Ears

  • Article

    Oscars 2021: The Short Films battling for an Academy Award

    With Oscar voting starting tomorrow, the S/W team explores the shortlists for the 2021 Academy Awards and highlights our favorite film in the Animated Short Film, Documentary Short Subject & Live Action Short Film categories

  • Filmmaker Update

    An Introduction to Podcast Directing with Stefanie Abel Horowitz

    With fictional podcasts identified as a potential career path for directors, Stefanie Abel Horowitz (sometimes, I think about dying) joins us to discuss what it was like to work with Rami Malek and Cole Sprouse and the difference between directing podcasts and short films.

  • Play
    Fantasy Tim Hendrix

    Baggage

    A snappy absurdist comedy about a blind date where everyone brings their emotional baggage to the table in the form of literal suitcases.

  • Play
    Documentary Malachy Browne & David Botti

    Day of Rage: How Trump Supporters Took the U.S. Capitol

    The Jan. 6 attack on the U.S. Capitol was perhaps the most widely documented act of political violence in history. The New York Times obtained, analyzed and mapped out thousands of cellphone videos, police bodycam recordings and internal police audio to provide the most complete picture to date of what happened.

  • Festival

    Sundance 2011 Short Films Online: Program 3

    If I could have somehow avoided the news about Sundance starting today, I would have—today is the start of the 34th straight Sundance Festival that yours truly will be failing to attend. 34 times have films been watched, pitches been made, deals been sealed, without me.

  • Fan Film

    Interview with Joe Sill (Kara)

    Director Joe Sill joins us to discuss his latest short film 'Kara' - a Star Wars fan-film featuring some impressive VFX work.

  • Interview

    Interview with Josh Tanner (The Landing)

    Australian short The Landing is one of those film's that's going to leave you with questions. Whether based around the impressive craft on show in the production of the piece or aimed at the cleverly deceptive storyline, Josh Tanner's film is one that demands exploring in greater detail.

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