Peter has discovered that the longer we live, the faster time passes. Before it's too late, he finds hope for a cure in a curious little beetle.
Painter Titus Kaphar looks to film as a medium in the face of an insatiable art market seeking to silence his activism.
With the Oscars ceremony taking place this Sunday (March 2nd), the S/W team predict the winners in each of the three short film categories.
With science fiction story-lines and topics of sexuality proving to be big discussion starters here on Short of the Week, it would have seemed like an opportunity missed if we didn't speak to emerging filmmaker Connor Hurley about his short film The Naturalist. Based around concepts of genetically altering sexual orientation and set in an unspecified dystopian future, we talked to the director about the influence of existing work on his narrative/tone and looked at how he went about creating a timeless aesthetic for his film: It's hard not talk about The Naturalist without first looking at the concept - where did the idea for the narrative come from? I remember I was probably around 12 years old, pursuing both my passion for filmmaking and facing questions of my own sexuality.
A teenage boxer must finally come to terms with his true nature and confronts standards of masculinity.
If your short is in the running for top prizes, we lay out how best we can help you.
With epic science-fiction short 'THE SHAMAN' recently released online, Short of the Week sat down with director/producer Marco Kalantari to talk about his blockbuster production.
Reign of Death, the subject of our recent feature review, is one of the most confidently stylish shorts we've seen in a while. Its director, Matthew Savage, has served as a concept designer for several big budget features including The Dark Knight and Kick-Ass, but, not being content with that arrangement, has been stepping up to the director's chair.
From alumni news to Oscar winners, take a look back at a year on Short of the Week
**Now Available on VoD only** - An Oscar Nominee in 2016, Chau, a teenager living in a Vietnamese care center for kids disabled by the chemical Agent Orange, struggles with the reality of his dream to one day become a professional artist.
