The Curation Problem & How to do Submissions Right
Curation is Broken. We need to start by getting one thing straight—most of the curation we talk about today in our everyday digital lives isn’t true curation at all.
Curation is Broken. We need to start by getting one thing straight—most of the curation we talk about today in our everyday digital lives isn’t true curation at all.
"The films that end up in the programme selection are the survivors of a very bloody battle" - Manchester Animation Festival's Steve Henderson is the latest interviewee in our Meet the Gatekeepers series.
SITENumber of Featured Films on the Site in 2017: 300Number of News Pieces + Articles: 51Total Hours of Programming: 59 hours 35 minNumber of Paid Submissions: 3254Accepted Films: 141, a 5.6% Acceptance Rate CREATORS + CONTENTAvg.
With her debut feature 'Stray' impressing on the festival circuit in 2020, director Elizabeth Lo ('Hotel 22', 'Mother's Day') joins us to discuss her transition from short film to feature.
A terrible phone call in the middle of the night shakes Laura's world. As her little sister Ainara plays in her room, the presence of an unknown being will test the mental and emotional stability of the two sisters.
Spend a day behind the scenes of test commercial, where a wall of milk bottles are to be blown up. It doesn’t sound like a tall order, but the clash of hard-working professionals and creative egos can endanger even the most straightforward of shoots.
In the wake of high-profile depatures at video sharing service Vimeo, an article in Indiewire questions how close the company is to achieving its goal of creating a marketplace for content creators and their audiences.
In Kaohsiung, Taiwan, a handful of residents refuse to move away from their beloved and almost completely abandoned village.