A Shorts-centric Preview of SXSW 2024
Black holes, nuns and Nicholas Cage all feature in this round-up of work from our previously featured filmmakers at this year's SXSW
Black holes, nuns and Nicholas Cage all feature in this round-up of work from our previously featured filmmakers at this year's SXSW
Our Award-winners take a seat at our "virtual" roundtable and offer up their thoughts on what it means to be a filmmakers today. Plus, learn about what they're planning next.
With our annual Short Awards planned for Early 2022, to round off our yearly coverage we take a look at the S/W team's favourite films from 2021.
With nominee voting for the 2023 Academy Awards opening today (Thu 12th Jan), the S/W team highlights the five standout films from each short film category.
With Oscar voting now open, S/W’s Senior Programmers, Rob Munday, Céline Roustan, and Jason Sondhi, take on the role of voter and whittle the 45-title shortlists down to the 15 short films they think should advance to the nominations round.
With epic science-fiction short 'THE SHAMAN' recently released online, Short of the Week sat down with director/producer Marco Kalantari to talk about his blockbuster production.
Gints Zilbalodis joins us to discuss how he made award-winning animated feature Away on short film funding
Director Aneil Karia joins us to talk about the inspiration and production of his award-winning short 'BEAT' and give us an insight into what he's working on next.
We quizzed the BAFTA nominated writer/director on his inspiration, shooting style and lessons learned when making OFFLINE DATING
With science fiction story-lines and topics of sexuality proving to be big discussion starters here on Short of the Week, it would have seemed like an opportunity missed if we didn't speak to emerging filmmaker Connor Hurley about his short film The Naturalist. Based around concepts of genetically altering sexual orientation and set in an unspecified dystopian future, we talked to the director about the influence of existing work on his narrative/tone and looked at how he went about creating a timeless aesthetic for his film: It's hard not talk about The Naturalist without first looking at the concept - where did the idea for the narrative come from? I remember I was probably around 12 years old, pursuing both my passion for filmmaking and facing questions of my own sexuality.