Natalie Erika James

  • Play
    Documentary James Burns

    Revolving Doors

    A portrait of American recidivism produced over a span of two years, Revolving Doors follows Jason, who, despite attempts to retain meaningful employment, fails and returns to prison, devastating his family.

  • Play
    Documentary James Blagden

    Dock Ellis & The LSD No-No

    It's the 70's, and pitcher Dock Ellis is high as a kite and pitching the game of his life.

  • Play
    Dark Comedy James P. Gannon

    Smoke Bomb Boys

    The f***ing story of the Smoke Bomb Boys. F***ing shit up… hard.

  • Play
    Horror James Feeney

    Killer Kart

    The shopping cart. Four wheels, one basket, and tonight, for the closing crew of a small-town grocery store, a blood-splattered aluminum nightmare.

  • Festival

    Sundance 2013 Online Short Film Program

    A cherished tradition, every year Sundance releases a selection of short films from their competition lineup onto the internet for the duration of the fest. It is an excellent way for fans at home to connect with the goings on, and for short film fans in particular, a great way to spy some of the year's top shorts early in their festival run.

  • Interview

    Interview with Jamie Travis (The Armoire)

    Toronto native Jamie Travis has been making short films for more than a decade. When he finally made the leap to features (his debut For a Good Time, Call… premiered at Sundance and will hit cinemas this fall), he gave shorts lovers everywhere a wonderful gift by releasing all his previous work online.

  • Festival

    Palm Springs ShortFest 2022: A Short-Centric Guide

    With over 300 films in their line-up, working out what to watch at the Palm Springs Short Fest can be a daunting task. Programmer and S/W team member Céline Roustan lists the titles from S/W alums you'll definitely want to keep an eye out for at the festival.

  • SOTW

    5-Year Anniversary!

    It's been 5 great years here at Short of the Week as we take a look at where have we been and where are we going.

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