WORK

  • Interview

    Q&A With Simon Bovey (The Un-Gone)

    Yesterday Sondhi posted his featured review of The Un-Gone. Earlier this week I got in touch with director Simon Bovey to dive a little deeper into the creative process behind this splendid short.

  • Play
    Drama Jonas Carpignano

    A CIAMBRA

    (Currently Offline) From the Cannes prize-winning director Jonas Carpignano, A Ciambra takes us through a night in the life of Pio, a young Romani boy living in southern Italy.

  • S/W Awards

    The Short Awards 2024: The Nominees

    With award season upon us, it's time for our annual Short Awards. Check out the 15 nominated films and even vote for your favorite - in our Audience Choice award.

  • Article

    The Viral Experience: What Happens When You Reach The Top

    You’'ve seen the scenario before: some talented, young filmmaker releases his latest short film on Vimeo… and BOOM… practically overnight it goes viral. A few million views and a couple hundred thousand comments later, they garner industry attention, eventually cinching a movie deal with Hollywood.

  • News

    Kon Satoshi: Good Morning; Magnetic Rose

    Word arrived Stateside this morning, not through any official announcement, but through the tweets of his friends and collaborators. Kon Satoshi, one of the leading lights of Anime, director of the films Perfect Blue and Paprika, has sadly passed away at age 47.

  • Play
    Documentary Felix Bazalgette & Josh Hughes

    Awoko

    Shot over one night in the loud, dimly lit printing press, this is the story of the men whose labour lies behind Sierra Leone's oldest daily newspaper.

  • Interview

    Interview with Connor Hurley (The Naturalist)

    With science fiction story-lines and topics of sexuality proving to be big discussion starters here on Short of the Week, it would have seemed like an opportunity missed if we didn't speak to emerging filmmaker Connor Hurley about his short film The Naturalist. Based around concepts of genetically altering sexual orientation and set in an unspecified dystopian future, we talked to the director about the influence of existing work on his narrative/tone and looked at how he went about creating a timeless aesthetic for his film: It's hard not talk about The Naturalist without first looking at the concept - where did the idea for the narrative come from? I remember I was probably around 12 years old, pursuing both my passion for filmmaking and facing questions of my own sexuality.

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