You may have heard the news today. Despite President Obama's personal lobbying, the International Olympic Committee snubbed Chicago as host for the 2016 games in favor of Rio.
Screaming too loud is what got Horacio killed, with his murderer Guillaume now released from prison, what will he do next?
In the heart of a dark forest, two silhouettes meet, attract and repel each other in an explosive bridal parade.
With science fiction story-lines and topics of sexuality proving to be big discussion starters here on Short of the Week, it would have seemed like an opportunity missed if we didn't speak to emerging filmmaker Connor Hurley about his short film The Naturalist. Based around concepts of genetically altering sexual orientation and set in an unspecified dystopian future, we talked to the director about the influence of existing work on his narrative/tone and looked at how he went about creating a timeless aesthetic for his film: It's hard not talk about The Naturalist without first looking at the concept - where did the idea for the narrative come from? I remember I was probably around 12 years old, pursuing both my passion for filmmaking and facing questions of my own sexuality.
Away from the responsibilities of familial life, Maryam hires 20-year-old sex worker Aisha to keep her company for the night.
A champion swimmer is haunted by images from his childhood.
A gay man living in a genetically modified society is given the chance to alter his sexuality.
At the end of what she hopes to be her last day at work, a young gas station attendant attempts to leave town permanently.
A young journalist goes into the deep wood to interview the heavy-metal duo LANDGRAVES, who are recording an album for the first time since an 11-year prison sentence for murder.