Toronto native Jamie Travis has been making short films for more than a decade. When he finally made the leap to features (his debut For a Good Time, Call… premiered at Sundance and will hit cinemas this fall), he gave shorts lovers everywhere a wonderful gift by releasing all his previous work online.

Many filmmakers look at short films as their teenage years—happy to get past them and on to something bigger. Jossie Malis is one of the few who understood the power he'd created with his minimalist animated short Bendito Machine and has spent the past 6 years building a franchise around it.

Our Award-winners take a seat at our "virtual" roundtable and offer up their thoughts on what it means to be a filmmakers today. Plus, learn about what they're planning next.

From illustrator to highly-praised 3D animator in just over a year, Jesús Orellana takes us behind the scenes of what went in to making his short film, Rosa.

We caught up with the Argentina-based horror duo Guille Gatti & Pedro Cristiani to talk about their recent success with Deus Irae and what it takes to make great horror films. The exorcism genre is a familiar one but the premise of Deus Irae is so unique.

Yesterday's feature review was Hands Solo, a wicked funny mockumentary about a deaf porn star and the girl who got away. I caught up with the director, William Mager over email to talk about himself, the film, and disability in the movie-industry.

Joseph Pierce tells us about his animation process and the importance of staying true to your own ideas.

Shahir Daud, director of Double Happy, shares why he made the film, what it's like shooting with a RED camera, and how to shoot cinéma vérité.

Part 2 of Everything is a Remix dropped days ago and, based largely on its growing base of supporters, has since found an online audience of hundreds of thousands. We caught up with director, Kirby Ferguson, to find out how he managed to pull it all off.